Contents:

7A. Preliminary rule

7B. Notes

7A1.1. Notes qualify and amplify the formal description, especially when the rules for such description do not allow certain information to be included in the other areas. Notes can therefore deal with any aspect of the publication. manuscript.

7A1.2. Notes, by their nature, cannot be enumerated exhaustively, but can be categorized in terms of the areas of description to which they pertain. In addition to notes relating to these areas, there are notes that do not correspond to any area of the formalized areas of description. Occasionally it may be useful to group together notes that refer to more than one area, for instance when they are all based on one source within the work, such as a privilege statement.

7A1.3. If the description in the areas preceding the note area does not clearly identify the resource being cataloged, make whatever notes are necessary for unambiguous identification. When appropriate, refer to detailed descriptions in standard catalogs or bibliographies. Provide sufficient information to identify the specific source, whether using a general note, a formal “References” note giving the source in prescribed form (see 7B14), or some combination of the two.

7A1.4. Notes may also be made to justify added entries intended for special files of personal or corporate names, titles, genres/forms, physical characteristics, provenance, etc. Whenever possible, use terms taken from lists of controlled vocabularies when making such notes and added entries. Prefer the terminology used in controlled vocabularies lists issued by the RBMS Bibliographic Standards Committee. Terms from other authorized thesauri (e.g., the Thesaurus of Graphic Materials, Art and Architecture Thesaurus) may also be used as appropriate.

7A1.5. In general, notes are not required, but some notes are required in particular situations and are so indicated in previous rules, e.g., 1E3, 2A2, or 4A4, and in some of the rules for this area.[2]

 

Start a new paragraph for each note. End each paragraph with a period or other mark of final punctuation.

Separate introductory wording from the main content of a note by a colon followed but not preceded by a space.

Take information recorded in notes from any suitable source. Square brackets are required only for interpolations within quoted material.

7A4.1. Order of information. If information in a note corresponds to information found in the title and statement of responsibility, edition, publication, distribution, etc., or physical description, or series areas, usually give the elements of information in the order in which they appear in those areas. In such cases, use prescribed punctuation, except substitute a period for a period-space-dash-space.

Revision Corrected proof copy of: 3rd ed. London : Macmillan, 1953

7A4.2. Quotations. Record quotations from the publication manuscript or from other sources in quotation marks. Follow the quotation by an indication of its source, unless that source is the title page. Do not use prescribed punctuation within quotations.

"Extracted from the minutes of the Society for the Propagation of the Gospel in Foreign Parts"

"Generally considered to be by William Langland"--Harvey, P. Oxford companion to Engl. lit.

"The principal additional music, contained in 72 pages, may be had, half bound, with or without the rules, price four shillings and ninepence"--Pref.

7A4.3. Formal notes. Use formal notes employing an invariable introductory word or phrase or a standard verbal formula when uniformity of presentation assists in the recognition of the type of information being presented or when their use provides economy of space without loss of clarity.

7A4.4. Informal notes. When making informal notes, use statements that present the information as briefly as clarity, understandability, and good grammar permit.

7A5.1. Other editions. In citing another edition copy, version, or a printed edition, of the same work, give enough information to identify the edition cited.

Revision Manuscript copy of: 2nd ed., 1869

7A5.2. Other works and other manifestations of the same work. In citing other works and other manifestations of the same work (other than different other copies, versions, or printed editions with the same title), give whatever information is appropriate, such as the main entry heading, title proper (or uniform title), statement of responsibility, edition statement, or date of publication. Arrange the information provided in the form that makes most sense in the particular case. Abridge the information as needed without using the mark of omission.

Adaptation of: Bunyan, John. Pilgrim's progress

or Adaptation of: Pilgrim's progress / by John Bunyan

Some of the most common types of notes are listed below; other notes than those provided for may be made, if considered important. Specific applications of many of these notes are provided in the preceding sections. Make notes as called for in the following subrules, and, generally, in the order in which they are listed here. If a particular note is of primary importance, it may be given first, regardless of its order in this list. When appropriate, combine two or more notes to make one note.

 

Whiting took part in the Battle of Concord. Joining the Continental Army, he served under Generals Arnold and Gates, and was with Washington until the latter assumed the immediate command against Cornwallis in Virginia.

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John Taylor was the editor of the newspaper The Sun, and author of a memoir titled Records of my life. Thomas Hill was the editor of the Monthly Mirror. The title page of this manuscript claims that Hill was also believed to have been the original Paul Pry, "so admirably portrayed on the stage by Liston."

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Elisha Harris was a farmer, the son of Joseph and Susanna Bates Harris of Cranston, R.I. He became a Quaker in 1777. His wife, Freelove (Dyer) Harris, was the daughter of Deacon John Dyer and Freelove Williams Dyer, also of Cranston, R.I. Elisha Harris and Freelove Dyer married in 1767.

 

7B12. Nature, scope, or artistic form Scope and content

 

Make a notes on the nature, scope, or artistic form, or historical context of the manuscript when useful to amplify or explain the title proper and other title information. [Adapted from SAA workshop, "Applying DACS to Single-Item Manuscript Cataloging," handout p. 26:] The scope and content note provides information about the nature of the materials and activities reflected in the unit being described to enable users to judge its potential relevance.

 

An advertisement

A satire against William Pulteney

Prospectus for: Pope, Alexander. Essay on criticism. London, 1745

7B2.1. Make notes on the language and script of the publication, manuscript, or on the fact that it is a translation or adaptation, unless this is apparent from the rest of the description.

Parallel Iroquois and English texts

English text with Latin and French prose translations

Text in romanized Arabic

Author's adaptation of his Latin text

Translation of: Gulliver's travels

In part a translation of: Le déserteur / M.-J. Sedaine

Adaptation of: Breviarium monasticum

7B2.2. Always note the presence of nonroman script in the publication manuscript if it has been transcribed only in romanized form in the description (see 0F2.1).

Church Slavic in Cyrillic script

Title in Greek script

7B3.1. Always make a note on the source of the title proper if it is from a substitute for the title page.

                        Caption title

Title from colophon

Title from incipit on leaf [2]a

Title and imprint from printed wrapper

7B3.2. For multipart monographs manuscripts, if the description is not based on the first part, identify the part used as the basis of the description.

Description based on: v. 2, published created/completed in 2001

7B4.1. Make notes on titles borne by the publication manuscript EOK: or appearing in accompanying documentation or published sources) other than the one chosen as the title proper. If nonroman text has been transcribed in the title proper without parallel romanization (e.g., as transcribed from the source or provided by 0F2.2), give a romanization of the title proper. EOK: Do we also need to deal with names by which the manuscript (and the work therein) has come to be known, e.g. the Drake manuscript (1586). Probably more common for earlier manuscripts, but I wouldn't be surprised if thereare some.

Title on added t.p.: La naturaleza descubierta en su modo de ensenar las lenguas a los hombres

Spine title: Bath Road acts

Engraved t.p. reads: The continental tourist

 

7B4.2. If considered important, also include here partial or complete transcriptions of title information to show the actual wording of the title page (e.g., when information has been omitted) and explanations of cataloger-supplied letters or words (e.g., when special marks of contraction have been used by the printer in continuance of the manuscript tradition). EOK: To what extent are we committed to transcribing at all? The point of doing it for published works is to compare records to identify variant issues. Seems out of place here.

Marks of contraction in title have been expanded

Make notes on parallel titles appearing in the publication manuscript but not on the title page; also give other title information appearing in the publication manuscript but not on the title page if it is considered important. If parallel titles and other title information appearing on the title page have been omitted from the title and statement of responsibility area (e.g., because they could not be fitted into the body of the entry, or because they were very lengthy), they may be given here as notes.

Title on added t.p.: The book of exposition = Liber rubens

Subtitle: The medicinal, culinary, cosmetic, and economic properties, cultivation, and folklore of herbs, grasses, fungi, shrubs, and trees, with all their modern scientific uses

EOK: There is a great divide between those manuscripts (mainly literary, but also scientific, historic, possibly journals) that present something comparable to a title page which is laid out according to title page

conventions, and those that do not (letters, documents, many literary, etc. manuscripts). AACR treats signatures as statements of responsibility for all types of material; APPM says record an explicit statement of responsibility only when it appears with a formal title on the t.p. of a single manuscript. For me, APPM better reflects the characteristics of the material being described.

7B6.1. Statement of responsibility on source other than title page. If a statement of responsibility appears in a source other than the title page, give it and its source in a note.

Dedication signed: Increase Mather

Signed at end: A lover of truth

7B6.2. Transposed statements of responsibility. Note the original position on the title page of statements of responsibility that have been transposed to the title and statement of responsibility area. Cut? MN

On t.p., editor's name precedes title

7B6.3.1. If a statement of responsibility for a person or corporate body connected with the work does not appear in the publication, manuscript, and an attribution is available, give the information in a note. Include the authority for the attribution whenever possible.

Attributed to Jonathan Swift. See Teerink, H.  Swift (2nd ed.), 598

Published anonymously. By Stephen Jerome. Editor's dedication signed "R.H.," i.e., Robert Hobson, to whom the whole is sometimes erroneously attributed. Also erroneously attributed to Robert Harris and to Robert Henderson

Variously attributed to Dudley Fenner and to William Stoughton; sometimes also attributed to Henry Jacob

7B6.3.2. If a statement of responsibility recorded in the title and statement of responsibility area or in a note is known to be fictitious or incorrect, make a note stating the true or most generally accepted attribution. Give the authority for the information whenever possible.

By John Locke. Author's name appears on t.p. of 3rd and subsequent editions

"[Gregory King] was consulted about the coronation ... and was the principal author of the ... volume containing descriptions and splendid engravings of that ceremony ... though he allowed Francis Sandford to affix his name to the title-page"--Dict. nat. biog., v. 10, p. 131

"The identity of Junius, which he concealed with great skill, has never been definitely established ... He is now generally thought to have been Sir Philip Francis"--Oxford companion to Engl. lit. (6th ed.), p. 546

(Comment: The pseudonym “Junius” appears on the title page)

7B6.3.3. False attributions appearing in the bibliographical literature or in library catalogs may also be noted, along with the authority for the false attribution and the authority for questioning it. EOK: is this the place to mention forgeries? Distinguishing between forgeries of text (the forger composed the text he attributes to X) and forgeries of manuscripts (the text is by X, but in the hand of the forger)

Attributed to Daniel Defoe (see Moore, J.R.  Defoe, 511); attribution challenged by: Secord, A.W.  Robert Drury's journal and other studies

7B6.4. Other statements. Record the names of persons or bodies connected with a work, or with previous editions of it, if they have not already been named in the description; give the authority for the information, if necessary.

At head of title: Sub Carolo. V. Romanorum maximo Imperatore, primo Hispaniarum Rege

Illustrations are woodcuts by Dora Carrington. See Kirkpatrick, B.J.  Virginia Woolf, A2a

Woodcuts on leaves B2b and C5b signed: b

EOK: ALSO:signers of documents, scribes (or secretaries?), witnesses, endorsers (not sure they fit in here, but we always note the endorser)

 

7B6.5. Variant forms of names. Note variant forms of names of persons or bodies named in statements of responsibility if the variant forms clarify the names used in main or added entry headings.

By Gilbert Burnet, Bishop of Salisbury

(Comment: Statement of responsibility reads: “by the Right Reverend Father in God, Gilbert Lord Bishop of Sarum”)

Charles Pigott is the author of The virtues of nature

(Comment: Statement of responsibility reads: “by the author of The virtues of nature”)

 

 7Bx. Date(s). Make a note explaining the source of the date(s) of the manuscript if considered important.

APPM 1.7B3. :

Linking entry complexity. Make a note concerning any complex hierarchical relationship between catalog records, i.e., when the material being described is a component part or subunit of another collection or series that is an existing bibliographic entity. Using appropriate introductory wording such as Forms part of: (normally used for subunits within larger groups) or In: (normally used for items within larger groups), give the title for the hierarchically superior unit as formulated under the principles outlined in 1.1A-1.1E.

 

 

                        Forms part of: Naval Historical Foundation manuscript collection.

                        Forms part of: War Department collection of Confederate records

(Record Group 109).

                        In: Oppenheimer, J. Robert, 1904-1967. Papers, 1927-1967.

 

 Forms part of: Rudyard Kipling collection.

 

In: Ford Madox Ford collection.

APPM 1.7B4:

Additional physical form available. When the repository has the original and a copy of all or part of the material being described, make a note to record information about the additional (i.e., different) physical format(s) in which the described material is available for use at the holding repository and/or in published form. If the latter, also record availability information (source, order number, condition, etc.). Add appropriate introductory wording to subelements when it is necessary to make the nature and intent of their information clear. See also 1.5B3 for recording extent of originals and copy.

 

 

                        Diaries and correspondence available on microfilm for use in repository only.

                        Also available on microfilm; source: Library of Congress Photoduplication Service, Washington D.C. 20540; order no.: 18,447.

 

7Bx. Reproduction

 

APPM 1.7B5:

Reproduction. Record information that the material being described is a copy of originals that either are located elsewhere or have been destroyed. Record (in order and if available) the type of reproduction, the place of reproduction, the agency responsible for the reproduction, the date of the reproduction, a physical description of the reproduction, and a bibliographic series statement (if appropriate). If the originals have been destroyed after copying or are no longer extant, record this information. Add appropriate introductory wording to subelements when it is necessary to make the nature and intent of the information clear.

 

 

                        In part, photocopies. Copied at: University of North Carolina at Chapel Hill, Southern Historical Collection; 1978.

 

 

                        Photocopies (negative). Copied at: Archives Nationales, Paris, France; 1937.

 

 

                        Microfilm; originals destroyed after filming.

 

 

                        Microfilm. Filmed at: Duke University Library, Manuscript Department; filmed

 by: University Publications of America, Inc.; 1987; 5 microfilm reels (nos. 18-

22); series statement: Records of ante-bellum southern plantations, series F,

selections from the Manuscript Department, Duke University Library, part 1.

 

 

1.7B6.  Location of originals/duplicates. Record the name and, optionally, the address of repositories, other than the cataloging repository, with custody of the originals or duplicate copies of the described material. Subelements may include the name of the custodian repository, its address, the country of the repository, and its telephone number. Begin the note with appropriate introductory wording (e.g., Originals in: or Photocopies or Transcripts or Microfilm, etc.,in: ).

 

 

                        Originals in: Manuscripts and Archives, Yale University Library, Box 1603A

                                    Yale Station, New Haven, CT 06520

                        Originals o diaries in: Manuscript Division, Library of Congress; Washington, D.C. 20540

 

 

7Bx. Restrictions on access

 

7B7.1. Note the source of any element of the edition area when it is taken from elsewhere than the title page. Note the original position of any element that is transposed to another position in transcription.

EOK: An edition statement (anywhere in the item) is pretty rare (except maybe for 20th century manuscripts, such as screenplays, where they often appear on a formal title page). And shouldn't we call it a draft or version statement (even if it uses the term "ed."

 

 "Second draft continuity (revised)"--Cover.

 "Final revised draft."

   "First revised draft"--Cover.

The statement "amplified edition" precedes title on t.p.

Edition statement precedes author's name on t.p.

7B7.2. Make other notes relating to the edition being described or to the bibliographic history of the work, if they are considered important. In citing other works, and other manifestations of the same work, see 7A5. In citing bibliographies and catalogs, however, use the pattern for references to published descriptions shown in 7B14 whenever such a citation occurs in a formal “References” note.

Revision of: 2nd ed., 1753

Sequel to: Mémoires d'un médecin

A reissue of the 1756 ed., without the plates

Previous ed.: Norwich, Conn. : Trumbull, 1783

Detailed description of plates in: Abbey, J.R.  Travel, 23

If the text of the manuscript is known to have been published, make a notes on the relation of the manuscript to the publication history of the work details that are not included in the publication, distribution, etc., area if they are considered important. EOK: Shouldn't we limit to first time published (rather than entire publication history of the work?) If elements of the publication, distribution, etc., area have been taken from a source other than the title page, make a note specifying the source. EOK:

 

  "Constitutes the original material from which was made the 'fair copy' used ... for the book ... published in 1928"--leaf 2. The preface is the original one by Cameron, which in the printed edition was replaced by one written by W.F. Willoughby.

Published in parts

Publication date from Evans

Imprint from colophon

Publisher named in privilege statement as Sulpice Sabon

Publisher statement on cancel slip. Original publisher statement reads: Sold by G. Walsh

Imprint judged to be false on the basis of printing of catchwords and signatures. See Sayce, R.A.  Compositorial practices (1979, reprint ed.), p. 3-6, 31

No more published

"Entered according to Act of Congress, in the year 1853, by O.K. Kingsbury"--T.p. verso

"Price three pence"

Publication date from outside back cover

At head of title: On the day of Lord Byron's death 1824

"Set by hand in Truesdell type by Arthur & Edna Rushmore at the Golden Hind Press, Madison, New Jersey. Printed on Rives hand-made paper from France"--Colophon

7B9. Signatures  [Manuscript codices have signatures, don't they? In AMREMM signatures are part of the "500 Collation" note. Should we really remove this whole section on signatures? - JKN]

 

7B9.1. General rule. Make a note giving details of the signatures of a volume, if considered important. Give these signature details according to the formula in Philip Gaskell's A New Introduction to Bibliography (see p. 328-332), insofar as typographical facilities permit. Preface this note with the word “Signatures” and a colon.

Signatures: [A]4 B-C4 D2 E-G4 H2

Signatures: A-C4 D4(-D3) E-F4

Signatures: A-2Z8, 2A-M8

Signatures: [1-68]

(Comment: Volume is completely unsigned)

It is generally desirable to give signatures for incunabula, especially if identical signatures are not given in a standard bibliographic source. It is also desirable to provide signatures when a volume has no pagination or foliation.

7B9.2. Unavailable characters. If the gatherings are signed with a mark of contraction (see 0G8.2, Appendix G3) that cannot be reproduced using available typographical facilities, substitute the spelled out form and enclose it in square brackets.

Signatures: )(⁸ a-z⁸ &⁸ [con]⁸ [rum]⁸

If the gatherings are signed with other unavailable characters, substitute a descriptive term or an abbreviation for that term if a standard one exists.

[dagger]

(Comment: Gathering is signed with )

[double dagger]

(Comment: Gathering is signed with )

[fist]

(Comment: Gathering is signed with )

[fleuron]

(Comment: Gathering is signed with )

[maltese cross]

(Comment: Gathering is signed with )

[par.]

(Comment: Gathering is signed with )

[sec.]

(Comment: Gathering is signed with )

7B9.3. Special uses of pi and chi. Indicate unsigned leaves that fall outside the signature sequence (see Gaskell, p. 330) by using the words pi and chi. Do not enclose the words in square brackets. Do not use the Greek characters π and χ, as these will give the impression that the leaves have actually been signed with Greek letters (see 7B9.9).

Signatures: pi4 A-C4 chi2 D-Z4

Indicate partial duplications of an alphabet (see Gaskell, p. 331) by using superscript pi and superscript chi or, if superscript letters are not available, by substituting “[superscript pi]” and “[superscript chi].”

Signatures: piA4 A-D4 chiD4 E-F4                        

or Signatures: [superscript pi]A4 A-D4 [superscript chi]D4 E-F4

7B9.4. Non-conventional Latin alphabet. If the gatherings are signed with roman letters according to a pattern other than the conventional 23-letter Latin alphabet (i.e., A-Z, less I or J, U or V, and W), make this explicit by recording the additional letters in the signature statement.

Signatures: A-V4 W4 X-Z4

(Comment: Indicates a 24-letter alphabet)

Signatures: A-I8J8 K-U8V8W8X-2I82J82K-2M8

(Comment: Indicates a 26-letter alphabet)

7B9.5. Signatures do not match gatherings. If it can be determined that the signing of the volume does not match its actual gatherings, indicate this in the note.

Signatures: [1]8 2-38; volume actually gathered in twelves

7B9.6. Concurrent signatures. If the volume is signed using two concurrent sequences, provide both sets of signatures in the note. Give the signatures that correspond to the actual gatherings first, if this can be determined.

Signatures: 1-1212; also signed A-S8

Signatures: 1-1212 and A-S8; actual gatherings cannot be determined

7B9.7. Nonroman signatures (numeric sequence). If the gatherings are signed with nonroman characters that follow a numeric sequence, represent the characters using arabic numeration. Include an indication of the script used in the signatures in the note.

Signatures (in Hebrew characters): [1]4 2-114

(Comment: Indicates a numeric sequence in which the first gathering is unsigned, followed by gatherings signed 2-11 in Hebrew numeration)

If the nonroman characters are accompanied by parallel numeration using another script, note this as well.

Signatures (in parallel Hebrew and arabic numerals): pi8 1-48

(Comment: Indicates a numeric sequence in which the first gathering is unsigned, followed by gatherings signed 1-4 in both Hebrew characters and arabic numerals)

In case of doubt as to whether a sequence is numeric or alphabetic, assume a numeric sequence.

Signatures (in Hebrew characters): 2-38

(Comment: Indicates two gatherings signed with characters that could belong to either an alphabetic or numeric sequence)

7B9.8. Nonroman signatures (alphabetic sequence). If the gatherings are signed with nonroman characters that follow an alphabetic sequence, transcribe in original script if typographical facilities permit, or in romanized form using the ALA-LC Romanization Tables. Use uppercase or lowercase characters according to the usage of the piece. If the script is one that does not employ case, or if the case of the characters cannot be determined, use lowercase characters. Include an indication of the script used in the signatures if recording them in romanized form, or if the signature statement would otherwise be ambiguous.

7B9.9. Greek alphabetic signatures. For gatherings signed in Greek alphabetic sequences, use the 24-letter alphabet in the following chart as the basis for compressed signature statements (Greek letters are given in the top row, their romanized equivalents in the bottom row):

 

Signatures: pi1 α-γ² Α-2Λ²

or Signatures (in Greek characters): pi1 a-g2 A-2L2

(Comment: Indicates an alphabetic sequence with an initial unsigned leaf, three gatherings signed α-γ in lowercase, a full sequence of 24 gatherings signed uppercase Α-Ω, finishing with a partial sequence signed ΑA-ΛΛ in uppercase)

7B9.10. Hebrew alphabetic signatures. For gatherings signed in Hebrew alphabetic sequences, use the 22-letter alphabet in the following chart as the basis for compressed signature statements (Hebrew letters are given in the top row, their romanized equivalents in the bottom row):

 

Signatures: א-ש8, a-k8

or Signatures: ʼ-sh8(in Hebrew characters), a-k8

(Comment: Indicates a Hebrew alphabetic sequence followed by a roman sequence)

7B9.11. Other nonroman alphabetic signatures. For all other nonroman alphabetic signature sequences, do not assume that a standard signing pattern can be used as the basis for compressed signature statements. Give the first and last characters in each sequence, followed by a total count of the gatherings in that sequence in square brackets.

Signatures: А-Ѵ2 [=41], 2А-2Ѵ2 [=41], 3А-3Ѿ2 [=24]

or Signatures (in Church Slavic characters): A-Ẏ2 [=41], 2A-2Ẏ2 [=41], 3A-3ŌT͡͡2 [=24]

7B9.12. Full collation. If considered important, make a note giving the full collation instead of a note recording only the signatures.

Collation: 8vo: A-H4; 32 leaves: p. [1-2] 3-62 [63-64];

$3(-H3) signed. H4 blank

 

 

7B10. Physical description [AMREMM has a "format" note (7B1.1), and the physical description is also captured in the "500 Collation" note (at least the support is, whether paper, parchment, etc.). Blank pages are recorded in the 505 contents note, vid. 75B.1.2 "Generally, list the contents of an item in full, including blank pages" -JKN]  EOK: The use of the 505, which is defined for formal statements of content,  for blank pages seems odd to me.

 

7B10.1. Make notes on important physical details that are not already included in the physical description area, if considered important.

The first and last leaves are blank

Title and headings printed in red

Volumes numbered: 1, 2A, 2B, 2C, 3

Printed on vellum

Printed on a quarter sheet

 In v. 1, pages are numbered, but text is written only on every other page (i.e. the recto of each leaf) throughout most of the volume. In v. 2, leaves are numbered, and text is written only on the recto of each leaf.

EOK: Do notes on the scribe/writer, as opposed to the author (if different) belong under physical description or under statement of responsibility? Examples:

 

Copies, in an unidentified hand.

Most of the items were transcribed during April-May 1806 under the direction of Lady Beaumont.

Written in the same hand as "The Kings good intentions and sentiments by one fullie instructed."

In an early 18th-century English hand.

Possibly in the hand of William King, Archbishop of Dublin, who may have sent it to Swift in London.

The manuscript contains numerous changes and corrections in the author's hand. Two additions, in another hand, were incorporated in the text as printed in the Independent.

On behalf of Mme de Maintenon, whose secretary she was.

7B10.3. Give fuller details of the illustrations, if considered important. Always note the presence of hand coloring in publications issued as such.

Frontispiece on leaf A1

Woodcuts: ill., initials, publisher's and printer's devices

Interleaved with hand-colored wood engravings, as issued

7B10.4. Describe details of the an artist’s book or a publisher-issued binding, if considered important.

Pictorial cloth binding with gold, brown, and green stamping on brown calico-textured cloth, designed by Margaret Armstrong; signed: M.A.

Toy book cut in the shape of a standing Robinson Crusoe

Collages of marbled paper squares and rectangles mounted on cream-colored Italian handmade paper (watermarked Umbria, Italy, C.M.F.)

Closely written

Crossed (e.g.  1 item (5 p. (1 crossed)) ; 18.4 cm.

Does "crossed" belong in the 300 or just in a note?

How about notes on paste downs over text?

Information about seals affixed to documents (or envelopes)

  

Make notes for any accompanying material not recorded in the physical description area. Give the location of accompanying material if appropriate.

Accompanied by: "Star guide" (1 sheet ; 12 x 36 cm), previously published separately in 1744

If the publication manuscript being described is a dissertation or thesis presented in partial fulfillment of the requirements for an academic degree, give the designation of the thesis (using the English word “thesis”) followed if possible by a brief statement of the degree for which the author was a candidate (e.g., “M.A.” or “Ph. D.,” or, for theses to which such abbreviations do not apply, “doctoral” or “master’s”), the name of the institution or faculty to which the thesis was presented, and the year in which the degree was granted.

Thesis--Harvard College, 1786

Thesis (doctoral)--Universität Tübingen, 1805

If the publication manuscript is a revision or abridgment of a thesis, state this.

Abstract of thesis--Yale College, 1795

If the publication manuscript lacks a formal thesis statement, a bibliographic history note may be made.

Originally presented as the author's thesis (Universität Heidelberg) under title: ...

7B14.1. Give references to published descriptions in bibliographies or other authoritative reference sources if these have been used to supply elements of the description. Use the form and punctuation conventions recommended by Standard Citation Forms for Published Bibliographies and Catalogs Used in Rare Book Cataloging. Begin the note with the word “References” and a colon.

References: Evans 24658

(Comment: Made in conjunction with a general note reading: “Publication date from Evans”)

7B14.2. Make other references to published descriptions, if considered important. Such references are especially useful whenever the cited source would serve to distinguish an edition (or variant) a manuscript from similar editions (or variants) manuscripts or printed works, substantiate information provided by the cataloger, or provide a more detailed description of the publication manuscript being cataloged.

References: Gaskell, P. Baskerville, 17

References: ESTC (CD-ROM, 2003 ed.) T60996

References: Lindsay & Neu. French political pamphlets, 2194

References: BM STC Italian, 1465-1600, p. 368

References: Ritter, F. Incun. alsaciens de la Bib. nat. de Strasbourg, 277

References: Palau y Dulcet (2. ed.) 19161

7B14.3. A general note may be made if a description of the publication being cataloged does not appear in a specific bibliographical reference source. Make such a note only if the publication fits the scope for that source and the source purports to be comprehensive for its scope. Preface the general note with the words “Not in” and a colon.

Not in: Martin & Walter. Révolution française. Cf. IV:2, 9093

 

 

APPM: 1.7B16. Publications. Record a citation to or information about a publication that is based on the use, study, or analysis of the described material (e.g. historical studies, biographies, statistical reports). Citations or references to publications in which the materials have been cited, described, indexed, etc., are recorded in the citation note (see 1.7B14). If necessary, use appropriate introductory wording (e.g. Publications:, Portions published in:) in order to clarify the nature of the citation.

 

 

            Publications: Levine, Lawrence W. “William Shakespeare and the American People: A Study in Cultural Transformation.” American Historical Review 89 (February 1984).

            Publications: Poetry: A magazine of Verse 59 (1942): 295-308.

            Photographs published in: Mirer, Emma. Faces of Political Women. Boston: Whitehurst Press, 1984.

7B16.1. List the contents of a publication manuscript, either selectively or fully, if it is considered necessary to show the presence of material not implied by the rest of the description, to stress components of particular importance, to provide the contents of a collection or of a multipart monograph, or to provide additional titles in a publication without a collective title. Note the presence of errata leaves and errata slips (see 5B4). Note the presence of errata listed in other sources in the publication, if considered important.

Includes bibliographical references (p. 43-58)

Includes bibliographical references

Includes index

"List of the author's unpublished poems": p. 151-158

Errata on last leaf

With an errata slip

Includes Joseph Pike's An epistle to the national meeting of Friends in Dublin

7B16.2. Transcribe contents from the title page if they are presented there formally and have not been transcribed as part of the title and statement of responsibility area. In such cases, follow the word “Contents” with a colon and the parenthetical phrase “(from t.p.).” If a formal statement of contents is not present on the title page, take contents from the head of the parts to which they refer, or, if this is not feasible, from any contents list, etc., that is present. For publications a manuscript in two or more volumes, transcribe the volume or part designations as found.

Contents: (from t.p.) I. The good housewife's coat of arms -- II. The spinning-wheels glory -- III. The taylor disappointed of his bride -- IV. The changeable world

Contents: Love and peril / the Marquis of Lorne -- To be or not to be / Mrs. Alexander -- The melancholy hussar / Thomas Hardy

7B16.3. If a complete listing of contents cannot be assembled by one of the above means, the cataloger may devise a contents note from any appropriate source or combination of sources.

7B17. Numbers borne by the publication manuscript [Cut? MN]

 

Make notes of any numbers borne by the publication manuscript not transcribed in another area.

7B18.1. If the description corresponds to part of a publication manuscript that is made up of two or more separately titled parts that are also separately paginated or foliated and have separate signatures, but which have been issued together, make a note beginning “With” followed by a colon. List the other parts of the publication manuscript in the note, in the order in which they are found. In the case of bound volumes, list all the other parts on the record for the first part and, in general, only the first on the records for the subsequent parts. (Do not make such “With” notes when the pagination, foliation, or signatures of separately titled parts are continuous with the part being described. Instead, record these titles in a contents note as instructed in 7B16.)

7B18.2. For each work listed, give only the elements listed below:

a)   the heading; normally give this element first, usually in catalog-entry form (e.g., with inversion of personal names under surname, but not necessarily including personal birth/death dates, corporate qualifiers, etc.)

b)   the title proper as found in the record for the work; long titles may be shortened (whenever the uniform title is considered useful for the identification of the work, record it within square brackets preceding the title proper)

c)   the primary statement of responsibility as found in the title and statement of responsibility area of the record for the work, unless it is redundant of the heading or exceedingly lengthy

With: Dunton, John. The merciful assizes, or, A panegyric on the late Lord Jeffreys hanging so many in the West. London : Printed for Eliz. Harris, 1701

APPM:

1.7B15. Preferred citation of described materials. Record the format for the citation of the described material that is preferred by the custodian. Use the introductory phrase Cite as: to introduce the citation form.

 

 

            Cite as: James Hazen Hyde Papers, 1891-1941, New-York Historical Society.

            Cite as: Socialist Party of America Records, Manuscript Department, Duke University

         Library.

7B19. Copy being described and library holdings (Local notes)

 

Make a local note to describe details of an item’s provenance, if considered important. In less detailed descriptions, it is advisable to summarize provenance information, without providing exact transcriptions or descriptions of the evidence. Include the names of former owners or other individuals of interest and approximate dates, whenever possible.

National Library of Scotland copy: inscription of John Morris, 17th-century; stamped as a British Museum Sale Duplicate, 1787

Beinecke Library copy with inscription of Langston Hughes dated 1954

More detailed descriptions of provenance might include such additional features as: exact transcriptions of autographs, inscriptions, bookplates, stamps, shelfmarks, etc.; location of each in the item; approximate dates when known; descriptions of bookplates using standardized terminology; descriptions of anonymous heraldic bookplates according to heraldic blazon; references to published descriptions of the collections of former owners of the item, particularly if the item is cited in the source, etc.

National Library of Scotland copy: "Ioh. Mauritius" (17th-century inscription on t.p.; see Birrell, T.A. Library of John Morris, no. 410); "Museum Britannicum" (ink stamp, in blue, ca. 1760, on t.p. verso); "British Museum Sale Duplicate 1787" (ink stamp, in red, on verso of t.p.)

Beinecke Library copy inscribed by Langston Hughes on t.p.: "Especially for Louise Bennett with admiration, Sincerely, Langston, New York, Oct. 8, 1954"

7B19.3.1. Use local notes for descriptions of copy-specific bindings, if considered important; for descriptions of publisher-issued bindings common to all copies of an edition or issue, see 7B10.4-5.

7B19.3.2. Make a local note when the number of physical units in which a publication is bound differs from the number in which it was actually issued, if considered important (see 5B15.3).

Grolier Club's copy bound in 4 v.

7B19.3.3. Make a local note to indicate any errors in binding, if considered important.

Huntington copy: leaves I5-6 incorrectly bound between h3 and h4

7B19.3.4. Make a local note, if considered important, whenever a publication manuscript has been bound with one or more other works subsequent to publication production. Preface the note with the words “Bound with” followed by a colon. Formulate the remainder of the note according to the instructions in 7B18.

Special Collections copy bound with: The Bostonian Ebenezer. Boston : Printed by B. Green & J. Allen, for Samuel Phillips, 1698 -- The cure of sorrow. Boston : Printed by B. Green, 1709

7B19.3.5. If it is considered that the works are too numerous to be listed exhaustively, make an informal note such as the following:

University of Pennsylvania copy: No. 3 of 7 works in a vol. with binder's title: Brownist tracts, 1599-1644

7B19.3.6. Make a local note to describe other details of a copy-specific the binding, if considered important. Less detailed descriptions might include the color and nature of the covering material, a summary of any decoration present (e.g., “gold-tooled,” “blind-tooled”), and (if these can be determined) an approximate date and the name of the binder.

British Library copy: late 17th-century binding in red goatskin, gold-tooled

7B19.3.7. More detailed descriptions of a binding might include such additional features as: nature of the boards (e.g., wood, paper); details of decoration; country or city of production; nature and decoration of spine; presence or former presence of ties, clasps, or other furniture; flaps; description of headbands, page-

edge and end-paper decoration; references to published descriptions or reproductions of the binding (or related bindings), etc.

British Library copy: late 17th-century English binding; red goatskin, gold-tooled, over paper boards; gold-tooled spine with five raised bands; gilt edges; gold roll on edges of boards; marbled endpapers

 

7Bx. General Notes

APPM: 1.7B17. General note. Record any other descriptive information considered important but not falling within the definitions of the other notes. This may include information on physical details not given elsewhere, source of title, and title variations.

 

 

            Ms. torn in half and rejoined.

            Text heavily foxed.

            Incoming correspondence, 1855-1875, heavily damaged by rodent and insect infestation.

            Title transcribed from spine.

            Also known as: Anglo-Dutch War collection.

            Tape reels transferred from original acetate discs.

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[2] A complete list of required notes may be found in the Index under “Required notes.”